Monday, September 28, 2009

Death's Head (David Gunn)


It's extremely rare that a new piece of science fiction literature captures the imagination these days. Too often it feels like it's all been done. There are only so many settings and plotlines to go around. My encounter with the first Death's Head book was, for lack of a better word, random. It was summer 2007 and hotter than hell in Baltimore. The Barnes & Noble @ the Inner Harbor is one of the best in the country, at least from my experience. Rather bored, and in dire need of an air-conditioned space, I walked in with the goal of taking up the first new release sci-fi I'll see on display. Settling down at the Starbucks with an iced-triple-venti-caramel-macchiato (don't judge me) I ran through a bit of DH.

You know that "love at first sight" feeling? I personally don't, but I'd imagine it's very similar to what I felt after the first chapter. "Hell yeah." escaped my mouth and I couldn't set the book down. I bought it, brought it home, and spent the rest of the night with it - a scenario akin to soliciting a gorgeous dirty prostitute... Which, frankly, is a fairly reasonable description of the novel itself.

David Gunn brings his military expertise, brilliantly dry sense of humor, and a deft touch of imagination to create an easy, interesting read without the agony of technical jargon and overblown plotlines - all from a first person perspective. It's an underused viewpoint in science fiction today, and works out perfect. Twenty minutes into the book, you're not even reading anymore, but rather listening to Sven Tveskoeg - the hero of the novel... or anti-hero as the case may be - tell stories of his military past. Part Master Chief of the Halo series, part Sands - Johnny Depp's character in Once Upon a Time in Mexico - Sven tells one hell of a story.

Sven is an enigma, but certainly not the most complex character in the world - a world in which Earth is a distant memory to some, a myth to others. 85% of the galaxy (which we only assume is the Milky Way) is controlled by the United Free - an advanced, augmented, beautiful and "immortal" utopian society, the remaining 15% is under dispute between the Enlightened and Octovians, and 98.2% of Sven is human. The leader of the Octovians, OctoV, personally seeks out Sven in the galaxy, and the feeling is that the "other" 1.8% of Sven have something to do with it. As it has something to do with his ability to telepathically communicate with alien lifeforms, regenerate from wounds abnormally quick, and just be a general badass. His adoration of alcohol and whores quickly reveal the man is beyond a hangover or a sexually transmitted disease, and Sven's not afraid to show it. In fact, with any break from action the reader is treated with one of the two, sex or drink, and sometimes both.

As Sven bounds from one death-defying activity to another, we meet a variety of other characters - most substantially less interesting. If there's one fault to the story, is that really nothing else develops as detailed as the main character. Which is fine. Sven is an experienced commander, efficient killer, skilled with all types of weapons - and picks up the best one of them all in his SIG-diabolo - a wise-cracking gun with an artificial intelligence. Much of the "comic relief" comes from the sidearm's comments.

There are two more books written since the first in the series came out. It should come as no surprise that the ending is, well... open-ended. We learn quite a bit about Sven, his surrounding environment, all the "forces" involved - but never get to the point. Though interesting, the novel is short - a dedicated reader will likely finish in under a week (you should have no problem doing it in a couple of nights if you have the time off from work/school) - it is an obvious set-up for the rest of the series - which I have gladly picked-up and read. Should you choose to invest in the first of the DH novels, be it at the bookstore or local library, I'd suggest going ahead and picking up the second and third novels, as you'll be instantly hooked.

Thursday, September 24, 2009

District 9 (Neill Blomkamp)


I'm a bit behind the curve on seeing District 9, but I promise I'll be more timely with my movie reviews in the future.

Moving on. Finally checked out the much anticipated "alien flick" of the (end of) summer season. And I'm here to tell you it's anything but. Sure, sure - there are some aliens, quite a bit actually; and kick ass weapons, explosions, crazy technology, etc. But District 9, released August 14th in US (produced by Peter Jackson), offers depth and a plotline beyond the typical "shoot-em up" scenarios.
In 2005, D-9 director Neill Blomkamp made a short sci-fi film (ran about 6 minutes long) called Alive in Joburg. It quickly circulated the internets, got the attention of Peter Jackson, and was soon-after (obviously) turned into a full length feature film. Basically, some two million aliens arrive to Earth on a spaceship. After some nervous moments, and no activity, we (the people) decide to cut into the ship, and find the aliens in bad shape - malnourished, and living in the worst conditions. Slowly they are intergrated into the society and area directly below the arrival point - not much better conditions. Our story begins when tensions between the aliens and human residents around them rise and the agency in control of the area - MNU - decides to move the alien society into a more segregated area.

Alive in Joburg






As you can tell from above, both D-9 and it's predecessor short film use documentary style shooting techniques, with footage from news, interviews, and security cameras. As the film progresses, those techniques become less sporadic since the action goes places a news camera can't follow. However the shot is always jaunty and "hand-held" - largely reminiscent of last summer's Cloverfield. It creates a much more involved experience for the viewer, at times it feels like one's watching that evening's special news report rather than a feature film.
Furthering suspension of disbelief is the cast itself. Far from the "beautiful people" stereotypes of Hollywood casts, the film's casting director chose to go for the raw and everyday. A lot of the cast is largely unknown, most of the interviewees play themselves on camera, even Sharlto Copley - who plays Wikus Van De Merwe, the main character - hasn't featured in much beyond playing a "sniper" in Alive in Joburg. Which is stunning because the man can act. Even more impressive is that he ad-libbed all of his lines during the interviews portion of the film.
A lot of credit has to go to the visual effects of the film; everything from the aliens, to the spaceship and technology involved feels very realistic. So many times a film can go awry by not spending enough time and money on CGI details. The insectoid aliens are cleverly designed with a host of human features. They are bipedal, they communicate vocally, two legs, two arms, etc. Going into the film I expected them to be more resembling of the "buggers" of Orson Scott Card's Ender's Game series (to be reviewed someday).
Digging deeper, one finds a lot more parralles between D-9 and Ender's Game series. The film deals with inter-species racism, or xeno-phobia, if you will. Not unlike the subject matter in the third book of the EG series, entitled Xenocide. In both, the humans share a certain environment with an alien species, which leads to tension and (in turn) distrust, violence. Whether D-9 borrows some elements from the EG series is a question to be researched, however the more obvious inspiration of the film are the very real historical events of the South African Apartheid - racial segregation during the middle to late twentieth century. The film's title itself references to District Six - an inner-city area in Cape Town declared "whites only" - which led to displacement (mostly by force) of some 60,000 native Africans to an area 25 kilometers away. One of my favorite lines from the film comes from an interview at the beginning with a local resident proclaiming something along the lines of "If they were human, it'd be much easier to live together. But they are alien, they are different." (don't remember the exact line, will fix it once I figure it out) - irony at its best.
A lot of unanswered questions are left about the aliens. In fact there's not much revealed at all. We don't find out what their home planet is, except that it has 7 moons (astrological buffs, I'm looking at you). The real reason, outside of speculation, for the aliens arrival is not revealed either. There are very vague lines about sexes. We find out they create, out of eggs, their offspring (a practice banned due to population control), but there isn't a definitive sign of male vs. female in their population. All these, and more mysteries within the film's plotline, lead to a very strong case for a sequel. One which I, for one, will greatly anticipate... Now where's Cloverfield 2?

Wednesday, September 23, 2009

Baltimore Book Festival


Real quick. The Baltimore Book Festival will be going on this weekend in... well where else... address is: Mount Vernon Place, 600 Block North Charles Street, Baltimore, MD 21201. Sept. 25-27, Friday - 12pm-8pm, Saturday - 12pm-8pm, and Sunday - 12pm-7pm.

For more information visit the website @ http://www.baltimorebookfestival.org/index.cfm

Some things of interest (especially for aspiring authors) include -

FRIDAY:

CityLit Literary Happy Hour w/ Clipper City Brewing (5pm) - http://www.baltimorebookfestival.org/index.cfm?page=schedules&id=426

SATURDAY:

Buzz Aldrin, "Magnificent Desolation" (1pm) - http://www.baltimorebookfestival.org/index.cfm?page=schedules&id=375

SUNDAY:
Getting it written, getting it published: Get The Facts (2pm) - http://www.baltimorebookfestival.org/index.cfm?page=schedules&id=436



...and a bunch of other workshops, music and theatre performances, author meet and greets, etc. Check out the rest of the schedule here - http://www.baltimorebookfestival.org/index.cfm?page=schedules

A Canticle for Leibowitz (Walter M. Miller, Jr.)

It's very difficult, when starting a sci-fi/fantasy review blog, to select the first novel/movie/media for the first post. After all, there are so many out there - and even more that I haven't experienced - each one of them as good as the next. The following novel is not exactly my favorite, but it's a classic of the genre and sooner or later cannot be avoided if any of you consider yourselves a fan of science fiction. A definitive piece of work, that withstands the test of time, I think it was the right choice to begin with... and I hope you do too.



As you find yourself perusing the 320 pages of A Canticle for Leibowitz don't forget to bring along a dictionary. Written... rather meticulously... by Walter M. Miller, Jr. and first published in 1960 (and never out of print since) Canticle tracks the evolution (or "re-volution" - more on that later) of a religion sprung out of a post-apocalyptic scenario. In three parts, each six centuries apart, the reader is treated to a vision of a fictional distant future of humanity - and yet one can't help but reflect on the very real past of civilization and notice the parallels.

To say that Miller paid attention to detail would be an understatement. From cover to cover the novel is littered with theology, science, philosophy, Latin, and much more - significantly more than the short stories the three parts - "Fiat Homo" (Let There Be Man), "Fiat Lux" (Let There Be Light), "Fiat Voluntas Tua" (Let Thy Will Be Done) - are based on.

The most striking aspect of this book is the language. Intricately written, with a sometimes dull scholarly approach to the story, the plotline may be somewhat difficult to follow for someone without a very strong grasp of the English language and structures inherent. With much the same approach to how it was written, the reader is encouraged to go through this novel slowly. Make sure to understand all the concepts presented before moving on to the next part, as it is very easy to get lost amidst the superfluous sentences. Once that particular barrier is conquered, the story is a worthy read.

The entertainment value is two-fold. The first being very much on the surface - Miller doesn't stray away from reality. In a post-nuclear environment the human race has moved away from the "evils" of technology and elements that have led to the destruction of the world around it (ironically enough literary objects - books - included). Because of this setting, there is no need for creation of a new world, or civilization of a distant galaxy/planet - something of a staple of modern science fiction. Instead the story centers on a small monastic order in a southwestern US desert in Utah, living an oversimplified and rudimentary lifestyle as they preserve the writings of one Isaac Edward Leibowitz - a technitian at a nearby military base before the nuclear war, and the founder of the "Albertian Order of Leibowitz" afterwards. We follow the re-evolution of society and re-invention of objects (such as a lightbulb) already commonplace these days - making the storyline that much more believable and enthralling. Apart from the mutants, yes mutants, things don't get too crazy until the third installment of the novel. The other factor will be more pleasing to scholars, especially theologians - and anyone with a real interest in religion. Granted, most of the facts presented would have to be double-checked, but it would be interesting to find out just how closely the evolution of the Order of Leibowitz resembles that of the Roman Catholic Church itself. Also if the rituals presented, for example the canonization of I. E. Leibowitz himself, are con-current with the modern Church.

It's difficult to pick up the book again. The strength of the writing and details are very taxing on the mind. The amount and quality of information to sort through, and organize so the reader understands the story clearly, is vast. However it is highly recommended that the novel is experienced multiple times, and especially at latter stages in life - when a few more ideas and aspects will certainly become clearer with maturation and experience. Each read becomes easier and more astounding.

I first picked up Canticle when I was fifteen years old with an (yet) incomplete vocabulary and knowledge of religion, science, etc... I didn't make it past the second part. It made for a completely different novel when I read it again at twenty four. With an improved appreciation and respect I simply cannot wait to read it again at thirty four, fifty, and so on.

You can purchase of copy pretty much anywhere books are sold. I also found this nifty study guide on Washington State University's website: http://www.wsu.edu:8001/~brians/science_fiction/canticle.html